The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it. β¨ Andy Goldsworthy (2001). Midsummer Snowballs, Harry N. Abrams
More Author Quotes
- Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the β¦ βΆ
- The early firings contained many stones.
- A lot of my work is like picking potatoes; you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
- Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private. β¨ Residency on Earth. Art in America, April 1995.
- It's frightening and unnerving to watch a stone melt.
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