No birdcall is the musical equal of a clarinet blown with panache. ✨ E…

Edward Hoagland
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No birdcall is the musical equal of a clarinet blown with panache. ✨ Edward Hoagland (2011). Sex and the River Styx, p.74, Chelsea Green Publishing
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There aren't many irritations to match the condescension which a woman metes out to a man who she believes has loved her vainly for the past umpteen years. ✨ Edward Hoagland (1993). The Courage of Tu … ▶
Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts. ✨ Edward Hoagland (1995). The Tugman's Passage
There is a time of life somewhere between the sullen fugues of adolescence and the retrenchments of middle age when human nature becomes so absolutely absorbing one wants to be in the city constantly … ▶
Man is different from animals in that he speculates, a high-risk activity. ✨ Edward Hoagland (1999). Tigers & Ice: Reflections on Nature and Life, p.41, Rowman & Littlefield
In order to really enjoy a dog, one doesn't merely try to train him to be semi-human. The point of it is to open oneself to the possibility of becoming partly a dog. ✨ Edward Hoagland (1976). Red Wol … ▶

No birdcall is the musical equal of a clarinet blown with panache. ✨ Edward Hoagland (2011). Sex and the River Styx, p.74, Chelsea Green Publishing

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